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Others inspected a minitank designed for riots. Some lingered at booths featuring dull black handguns. For several days, thousands of law enforcement officials from the United States and abroad wandered through the exhibits. It's where the International Association of Chiefs of Police had its technology conference in October 2003. Organizations from around the country also gather there for the proximity to the city's historic sites: the nearby Liberty Bell, Independence Hall, and other landmarks from the nation's birth seem to convey a certain integrity to their activities. The center is known as the home of the city's annualflowerand car shows. With more than 400,000 square feet of exhibition space, the main hall has enough room inside to hold a track meet, or six football fields, or some rather large parties.
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BRANDEISįills two long blocks in downtown Philadelphia. The greatest dangers to liberty lurk in insidious encroachment by men of zeal, well-meaning but without understanding. Men born to freedom are naturally alert to repel invasion of their liberty by evil-minded rulers. Burt never wasted a chance to express his confidence in our endeavor.
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As important as the money was the enthusiasm of the center's director, Burt Glass, who thrashed through ideas with me during innumerable phone calls. Some of that money came from philanthropic groups, including the Ford Foundation, the Deer Creek Foundation, and the Carnegie Corporation of New York. The center'sfinancialbacking gave me the time to figure out a direction for the book, write a proposal, and travel extensively for original reporting at the project's core. It exemplifies Brandeis's idea that sunlight "is said to be the best of disinfectants" through its support of an array of muckraking projects. The center is a stronghold of journalistic idealism. No Place to Hide would have gone nowhere without the intellectual and financial support of the Center for Investigative Reporting.
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Includes bibliographical references and index. Library of Congress Cataloging-in-Publication Data O'Harrow, Robert No place to hide / Robert O'Harrow, Jr. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales: 1-80 or Designed by Karolina Harris Manufactured in the United States of America 1 3 5 7 9 All rights reserved, including the right of reproduction in whole or in part in any form. 1230 Avenue of the Americas New York, NY 10020 Copyright © 2005 by Robert O'Harrow, Jr. Aside from the fact that the interface needs some improvements, since it is slightly outdated, we strongly recommend PhotoArtist to all users.A Division of Simon & Schuster, Inc. The application runs on a moderate-to-high amount of system resources, includes a comprehensive help file with snapshots for beginners, has a very good response time and didn't cause us any difficulties during our tests. Plus, you can fill the picture, view the original image, preview the filter, increase or decrease the brush size, use the undo and redo functions, check out examples, change the interface language and the toolbar size, hide the tool panel, and more. There is a wide range of filters that you can choose from and they include sketches, cartoons, watercolor, black and white film, solarize and shredder. But you can also select the blend mode, opacity and filter source. So, you can use a brush, select a filter and preset, and start transforming your pictures. Images can be imported via the file browser only, since the "drag and drop" method is not supported (and neither is batch processing). The interface of the application is plain and easy to navigate through. PhotoArtist is a simplistic tool which enables you to transform your favorite image files into pieces of art.